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Here we are in San Francisco, looking north to the financial district. Oola is crossing Rhode Island St. at 17th, and the San Francisco Center for the Book is on the right.
The SF Center for the Book is an extraordinary resource for artists and book lovers, a mecca for LetterPress aficionados.
Oola and I enter the large, airy main room with the high ceiling, clean tables, and 6 Vandercook presses. Memories of art school flood into my brain, but not into Oola’s because all that was before her time. But I digress.
In this tale it is early in the day. The place is so quiet, so pristine, so serene that the posted rules — even the signs that in an art school would usually say “Your mother doesn’t work here. Clean up your own mess” — These signs look like broadsheets.
Only one artist is printing,
Terry Horrigan has been a printer for 30 years. She said she once had her own press, but sold it and now she works at SFCB. You can see broadsides and books from her Protean Press publications at www.vampandtramp.com/finepress/p/protean.html
Oola discovers that there are more treasures: a bindery and platen presses and more drawers of metal type. She wants to start taking classes here. sfcb.org
On the north wall of the main room is an exhibition space and a show that is the reason I made this trip to SF. “Uncommon Threads” contains work by two artist whose work redefines “book”. Brought together by Curator Donna Seager — a champion of the artist book and partner in the Seager Gray Gallery in Mill Valley — these two artists’ work are connected on many levels. The most noticeable is the involvement with re-purposed books and the use of thread. In their work I find that I am drawn by those threads backwards through years and space to a place with a palpable sense of personal history, the mystery of an individual’s existence on this planet, the ancestor roots, the riddle of existence in a given place – then and now, specific and universal.
Jody Alexander‘s pieces have a meditative lyricism. Look long enough and you will find yourself totally absorbed.
Lisa Kokin’s work parallels that plus a sense of environmental/social urgency and a wicked sense of humor.
In the detail shot of “Fauxliage” you can see that the leaves have pieces of Rachel Carson’s Silent Spring stitched into them.
Lisa has this thing about self-help books. This don’t-worry-be-happy piece, stitched together from the spines of self-help books, is “bound” to assist with personal difficulties!
Both Jody and Lisa have huge bodies of work. Both are fascinating and challenging. Check them out.
But Wait, There’s More. In a gallery behind this exhibit Oola found the work of Barbara Alexandra Szerlip in “A Visit to Mad Geppetto’s Workshop”. Barbara is a writer who also makes book sculptures. Intriguing, Informed, Acerbic. Don’t miss her.
On the Knowledge side is a torn up book; on the Power side, shredded U.S. currency.
Those “teeth” are 1950’s vintage hamburger sleeves.
A book is a way to transfer knowledge and experience and story. What is the shape of a book? In the hands of an artist, who can tell?
These are compelling artists in an amazing setting. If you are in the SF Bay Area, don’t miss any of it. The shows are up until February 1, 2014.
San Francisco Center for the Book
375 Rhode Island Street
San Francisco, CA 94103